Maynard James Keenan’s vocal range spans approximately four octaves, documented across his work with Tool, A Perfect Circle, and Puscifer, with a tenor-baritone instrument that Loudwire described as capable of singing you “to sleep and scare you to death” — sometimes within the same song. Born April 17, 1964, Keenan is one of the most […]

M Shadows’ vocal range spans approximately D2 to A5 — nearly four octaves — per Wikipedia’s documentation from the Rangepedia source. Born Matthew Charles Sanders on July 31, 1981 in Huntington Beach, California, the lead vocalist and co-founder of Avenged Sevenfold became a singer entirely by circumstance: “I didn’t want to be a singer, man.

Randy Meisner’s vocal range spanned approximately D3 in chest voice through D5 in full voice, with a falsetto documented to G#5 on “Take It to the Limit” — the very note that, paradoxically, defined both the peak of his vocal legacy and the cause of his departure from the Eagles. Born Randy Herman Meisner on

Kali Uchis’ vocal range spans approximately G3 to E5 — around two octaves — with a warm, breathy instrument that Singing Carrots describes as having “a gentle, breathy touch” and “a warm, mellow tone.” Born Karly-Marina Loaiza on July 17, 1994 in Alexandria, Virginia, of Colombian heritage, Uchis is one of contemporary pop’s most distinctly

Julie Andrews possessed a four-to-five octave coloratura soprano voice — described by biographer Robert Windeler in 1983 as “crystalline” and by IMDB as a “five-octave coloratura soprano range” — that made her the best-loved entertainer in the world by the time she was 30. Born Julia Elizabeth Wells on October 1, 1935 in Walton-on-Thames, England,

Judy Garland’s vocal range spanned approximately D3 to G5 — two octaves and three notes — with a contralto instrument that the Diva Devotee analysis described as possessing “a warm, rich, incredibly velvety quality” throughout its full range, with low notes carrying “a darkness that pervades much of the voice.” Born Frances Ethel Gumm on

Joshua Henry’s vocal range spans approximately G2 to B4, with a baritenor instrument — his own alma mater’s official description — that combines “the warmth of a baritone’s lower register” with “the soaring power of a tenor’s upper notes,” as TheatreGold described it in reviewing his Ragtime performance. Born September 2, 1984 in Winnipeg, Manitoba,

Jordan Fisher’s vocal range spans approximately A2 to A4, with a natural baritone instrument that has been stretched and developed across one of the most varied Broadway careers of his generation. Playbill’s coverage of his Dear Evan Hansen casting was explicit: he is “a natural baritone” who “worked intensely with the production’s vocal consultant Liz

Joni Mitchell’s vocal range story is one of the most thoroughly documented voice evolutions in popular music history: a mezzo-soprano in the 1960s and early 1970s — bright, wide-vibrato, comfortable in the upper register — who had shifted to a wide-ranging contralto by approximately 1975, and whose voice by later decades The Range Place described

Jonathan Groff’s vocal range spans approximately C3 to B4, with a lyric tenor instrument that has carried him from a Tony-nominated Broadway debut in Spring Awakening (2006) to King George III in Hamilton, the voice of Kristoff in Frozen, and a career that spans musical theatre, television drama, and film voice acting with equal credibility.