Frank Sinatra’s vocal range spanned approximately G2 to G4 in his prime — a two-octave compass — with a high F documented in his early recordings and a low E in his later ones, and with his voice deepening over decades from a light to a classic baritone. Music critic Henry Pleasants described it precisely: […]

Eva Noblezada’s vocal range spans approximately A3 to E5 — just over an octave and a half in her primary working register, with chest belt extensions above and head voice access further up — with a mezzo-soprano instrument that critics consistently describe as “enchanting” and “versatile.” Born Eva Maria Noblezada on March 18, 1996 in

Ethel Cain’s vocal range spans approximately A2 to E5 — around two and a half octaves — with a voice that sits at the darker, more atmospheric end of the female vocal spectrum: haunting in its lower passages, capable of soaring in its upper register, and shaped by an upbringing in Southern Baptist church choir

Emmy Rossum’s vocal range spans approximately C4 to E6 — around two octaves in practical performance — with a classically trained soprano instrument shaped by years in the Metropolitan Opera Children’s Chorus, where she performed in twenty different operas in five languages. The high E6 in the title track of the 2004 Phantom of the

Elvis Presley’s vocal range spanned approximately G2 to Bb4 in full voice — two octaves and a third — with an upward extension in falsetto to at least Db5. That documented span is formally described in a detailed assessment as covering “from the baritone low-G to the tenor high B, with an upward extension in

Don Henley’s vocal range spans approximately G2 to D5 in chest voice and mix — just over two octaves — with a falsetto documented up to G5 in recordings like “One of These Nights.” The founding member and lead vocalist of the Eagles, born Donald Hugh Henley on July 22, 1947 in Gilmer, Texas, has

Dolly Parton’s vocal range spans approximately F3 to E5 — just under two octaves in practical performance — with a bright soprano instrument that has become one of the most instantly recognisable voices in the history of country music. Born the fourth of twelve children in Locust Ridge, Tennessee in 1946, raised in a one-room

Daniel Caesar’s vocal range spans approximately A2 to G5 — around two and a half octaves — with a warm tenor instrument that sits at the softer, more intimate end of the male vocal spectrum. Born Ashton Simmonds on April 5, 1995 in Scarborough, Ontario, and raised in a household where his father Norwill Simmonds

Dan Vasc’s vocal range spans approximately C2 to C5 in clean singing, with additional upper extensions in falsetto and lower extensions in distorted metal technique — a spread that allows him to inhabit the deep resonance of a dramatic baritone in one phrase and ascend into natural tenor territory in the next. The Brazilian heavy

Damon Albarn’s vocal range spans approximately G2 to C5 — just over two octaves in practical performance — with a baritone instrument that sits at the darker, more conversational end of the male spectrum. The founder of Blur and co-creator of Gorillaz, born March 23, 1968 in Whitechapel, London, has built one of the most