Cynthia Erivo’s vocal range is commonly cited around C#3 to D6, which is a little over three octaves. That number should be treated as a practical performance estimate, not a formal clinical measurement, because her full range can change with role, key, arrangement, microphone setting, and vocal condition. What makes Erivo stand out is not

Cyndi Lauper is usually described as a soprano with a wide, unusually colorful pop range, but her exact lowest and highest notes are not officially published. Online sources often cite a four-octave span and note estimates around C3-C7, but those should be treated as listener-based estimates rather than formal measurements. What is easy to hear

Cleo Laine’s natural voice was a deep contralto — warm, low, and resonant — with a documented upper extension that could reach G above high C (G6), giving her a total compass described consistently as well over three octaves. Dame Cleo Laine, Lady Dankworth DBE, born Clementine Dinah Bullock on October 28, 1927, died on

Christian Borle is best understood as a musical-theatre high baritone or bari-tenor: a voice with baritone warmth, strong comic diction, and enough upper-register flexibility for tenor-adjacent Broadway writing. His exact vocal range has not been officially published, so any note range online should be treated as an estimate rather than a verified fact. Based on

Chino Moreno’s vocal range spans approximately C2 to C6 — around four octaves when screaming and falsetto extensions are included — with what Wikipedia classifies as a dramatic tenor voice at its melodic core. The lead vocalist and primary lyricist of Deftones since 1988, Moreno has built one of the most versatile and emotionally distinct

Charlie Puth is usually discussed as a light pop tenor with a bright upper range, clean pitch control, and a very production-aware singing style. His exact vocal range has not been officially published in a verified technical source, so note spans such as G#2 to F#5 should be treated as listener-based estimates rather than confirmed

Chappell Roan’s vocal range in her breakthrough single “Good Luck, Babe!” spans A3 to F#5 — a confirmed range from Wikipedia’s sourced sheet music data — with a soprano instrument that critics and fellow artists have consistently singled out as one of the most compelling voices in contemporary pop. Kelly Clarkson, covering the song on

Chanté Moore’s vocal range spans approximately C3 to E6 — around three and a half octaves in practical performance, extending further in the whistle register — with a soprano instrument that critics have consistently placed alongside Minnie Riperton as one of the most technically complete voices in R&B history. Born in San Francisco in 1967

Cameron Winter doesn’t fit neatly into a standard vocal classification — and that’s by design. The frontman of Brooklyn indie rock band Geese and a solo artist in his own right, Winter was born in 2002 and has spent his early twenties building one of the most discussed voices in contemporary indie music: a wide,

Brian Wilson’s vocal range spanned approximately C3 to F5 in his prime, with a lyric tenor foundation and a falsetto that could soar well above that — a “plaintive tenor and falsetto” that The Ringer described as one of the Beach Boys’ core vocal assets. Wilson, who died on June 11, 2025, co-founded the Beach